There are a few things I need you to do for me today. One, download a free copy of Tetrafusion's new EP Horizons, available on their website. You could always donate a little something-something if you'd like, and my early favourites will be up soon, but you just need to get it. Now. Two, download the free "Somebody That I Used To Know" video by Gotye from itunes, this week only. It's the original of Dice Raw's "Game of Thrones Freestyle." Enough said.
Now, can you do this one more thing for me? Nashville's Among Savages is a one-man-band of epic proportions, and the fantastical "Start At The Beginning" from the EP of the same name is just as epic. Let's think orchestral (a word I'm happy to use, because it is always in a good way). Emotional. Lush. Delicate vocals and those wonderful instruments are the stars here. This is a song for the indie darlings in all of us who are hopelessly addicted to the strings. Or is that just me? Or am I just darling?
"Start At The Beginning" isn't for the metalheads who read this (you exist, I know) or the rap fanatics (you definitely read my blog). It is a song for those willing to take a risk. I surprised myself by liking this track so much. Why not surprise yourself on such a glorious day like today, where the snow is already beginning to melt and the sun was shining while it was up? Be sure to start at the beginning.
Tuesday, 31 January 2012
Monday, 30 January 2012
Tetrafusion - Shadows
Why am I so excited for tomorrow? Is it because I only have two classes, or the fact that I'm considering watching Glee's Michael Jackson episode? No, it's mostly because Tetrafusion is releasing their new album via their website, completely free and completely legal. Yes, you heard me right! I haven't looked forward to a release this much since Chevelle's Hats Off The The Bull, which coincidentally was about two months ago. Anyways, in anticipation, I have chosen to feature another of my favourite tracks from Altered State. Here is....drum roll please..."Shadows."
This is not the prog metal you might expect from the Louisiana quartet. What draws me to it so much is the fact that it is different. And good. Really good. You don't need a lead guitar to make metal music. How about a soft piano, and the intro lyrics rose petals wither on the floor, as I am left to douse the candles and close the door? You won't hear pangs of Tool here, as you likely did with "The Deserter" (you listened to that, right?). When the other instruments of the band are introduced, the song still retains its sad atmosphere. This is fine, melancholy, son. Here's hoping that tomorrow's Horizons has a few piano-heavy tracks for my liking. Why don't we all find out together? After all, it's free, and if it's free, it's for me.
This is not the prog metal you might expect from the Louisiana quartet. What draws me to it so much is the fact that it is different. And good. Really good. You don't need a lead guitar to make metal music. How about a soft piano, and the intro lyrics rose petals wither on the floor, as I am left to douse the candles and close the door? You won't hear pangs of Tool here, as you likely did with "The Deserter" (you listened to that, right?). When the other instruments of the band are introduced, the song still retains its sad atmosphere. This is fine, melancholy, son. Here's hoping that tomorrow's Horizons has a few piano-heavy tracks for my liking. Why don't we all find out together? After all, it's free, and if it's free, it's for me.
Sunday, 29 January 2012
Five Iron Frenzy - It Was A Dark And Stormy Night
If alternative music need something to save it in this day and age, why don't we make it the use of the brass section? Me and the horns...it's something I can't pass up. Denver seven-piece Five Iron Frenzy knows what I'm talking about, especially with the definitely-fun track "It Was A Dark And Stormy Night," a track that juts out from my Recently Added playlist as a few things. Good, first of all. Then there's catchy, flawless, enjoyable, uplifting...where could we go wrong here?
Beginning with the bray of the horns, and it was a dark and stormy night last night, bitter dark...you might realize this song is darker in content than it sounds, but that's because it's literally about a dark and stormy night and the hope that gets you through it. Perhaps the uplifting feeling I got did come from the lyrics after all, and not just those wondrous sounds of the trumpet and company. Oh, what I would give to play the saxophone like Jeff The Girl, or at least Lisa Simpson. So there you go. Listen and cheer yourself up a bit in the dead of winter. What the hell are you waiting for?
Beginning with the bray of the horns, and it was a dark and stormy night last night, bitter dark...you might realize this song is darker in content than it sounds, but that's because it's literally about a dark and stormy night and the hope that gets you through it. Perhaps the uplifting feeling I got did come from the lyrics after all, and not just those wondrous sounds of the trumpet and company. Oh, what I would give to play the saxophone like Jeff The Girl, or at least Lisa Simpson. So there you go. Listen and cheer yourself up a bit in the dead of winter. What the hell are you waiting for?
Friday, 27 January 2012
Brooke Fraser - Something In The Water
Fun indie time! In the dead of winter, when everything is blanketed in snow and the sky is nothing else besides a quilt of gray clouds, there are reminders of warmer weather everywhere. For some reason, Brook Fraser's wonderful "Something In The Water" conjures the feeling of spring and summer...warmer weather in general (birds singing on my shoulder, in harmony it seems). It doesn't hurt that the song is amazing too.
"Something In The Water" is an acoustic guitar-driven track with a clap-heavy chorus and folky female vocals that will make you drool. Yes, I haven't been drooling over music in a while...but this chorus will cause a puddle of saliva to form on your keyboard. Yum. In three minutes, Brooke Fraser has you believing in love again, even if it's the result of something in the water. So turn this on, plug your headphones in, and escape to a land where you can recline in a hammock on a balmy evening and summer love runs rampant.
There's something in the water that makes me love you like I do.
Also, you know this is coming. Like the Facebook page? https://www.facebook.com////#!/pages/Fromalt2zen/212358558857243
"Something In The Water" is an acoustic guitar-driven track with a clap-heavy chorus and folky female vocals that will make you drool. Yes, I haven't been drooling over music in a while...but this chorus will cause a puddle of saliva to form on your keyboard. Yum. In three minutes, Brooke Fraser has you believing in love again, even if it's the result of something in the water. So turn this on, plug your headphones in, and escape to a land where you can recline in a hammock on a balmy evening and summer love runs rampant.
There's something in the water that makes me love you like I do.
Also, you know this is coming. Like the Facebook page? https://www.facebook.com////#!/pages/Fromalt2zen/212358558857243
Thursday, 26 January 2012
Corelia - The Sound of Glaciers Moving
Out of San Diego comes the unsigned Corelia, a progressive metal band that strangely reminds me of one of the greatest Canadian bands ever...Protest The Hero. I'll let you be the judge about that one, but I can hear pangs of Rody Walker and company in the four-and-a-half-minute "The Sound Of Glaciers Moving." This is classic prog metal here, but what sets Corelia from their Canadian counterparts is that they're a little less thrashy, and a touch more atmospheric. Trust me, I wouldn't compare anyone to Protest The Hero if they weren't just as good.
Now, Ryan Devlin is fairly good at showing off his vocal prowess in "The Sound Of Glaciers Moving," alternating between growls and clean vocals...and I love it. I'm particularly fond of the powerhouse verse:
I could not have known
I would end up down here
So alone, can't stay here any longer
I know.
Can't you see it in the dark?
I've grown so cold
Amazing. This is how the prog metal genre should regain its fanbase, from those who deem it "the furthest from metal." Please, if Amaranthe is metal, then Corelia sure as hell is (not that I have anything against Amaranthe...). So give them a listen. If not for the vocals, for the guitars that will shred your face off if you haven't listened to any Early Man in a while.
Why don't you like our Facebook page while you're at it? https://www.facebook.com/pages/Fromalt2zen/212358558857243
Now, Ryan Devlin is fairly good at showing off his vocal prowess in "The Sound Of Glaciers Moving," alternating between growls and clean vocals...and I love it. I'm particularly fond of the powerhouse verse:
I could not have known
I would end up down here
So alone, can't stay here any longer
I know.
Can't you see it in the dark?
I've grown so cold
Amazing. This is how the prog metal genre should regain its fanbase, from those who deem it "the furthest from metal." Please, if Amaranthe is metal, then Corelia sure as hell is (not that I have anything against Amaranthe...). So give them a listen. If not for the vocals, for the guitars that will shred your face off if you haven't listened to any Early Man in a while.
Why don't you like our Facebook page while you're at it? https://www.facebook.com/pages/Fromalt2zen/212358558857243
Wednesday, 25 January 2012
Ian McGlynn - Monsters Cry Too
Halloween is a holiday, right? Well, it might be several months off from October, but why not have a wondrous, pleasant reminder of an always-fun, now thought-provoking day?
The always wonderful Ian McGlynn brings us "Monsters Cry Too," a single from 2010 that I came across during a browse through Noisetrade, another free (and definitely legal) music site. You thought "Small Town, Big Hearts" was good? Give this a listen. A fantastical piano-laden track, "Monsters Cry Too" gives us a glimpse of October 31 from the monsters' point of view (I can't always be under your bed, or first in your fears). Mr. McGlynn suggests that there is more to them than terror and sharp teeth, and does it beautifully. I suddenly feel more sympathetic to whatever lurks under my bed right now, or whatever is living in the spare room across the hall. After all, monsters cry too.
Also, y u no like the facebook page?? https://www.facebook.com////#!/pages/Fromalt2zen/212358558857243
The always wonderful Ian McGlynn brings us "Monsters Cry Too," a single from 2010 that I came across during a browse through Noisetrade, another free (and definitely legal) music site. You thought "Small Town, Big Hearts" was good? Give this a listen. A fantastical piano-laden track, "Monsters Cry Too" gives us a glimpse of October 31 from the monsters' point of view (I can't always be under your bed, or first in your fears). Mr. McGlynn suggests that there is more to them than terror and sharp teeth, and does it beautifully. I suddenly feel more sympathetic to whatever lurks under my bed right now, or whatever is living in the spare room across the hall. After all, monsters cry too.
Also, y u no like the facebook page?? https://www.facebook.com////#!/pages/Fromalt2zen/212358558857243
Tuesday, 24 January 2012
Gotye feat. Dice Raw - Game of Thrones Freestyle
Sometimes you put on a song...and are at a loss for words.
I will first introduce "Somebody That I Used To Know" by indie fave Gotye, featuring Kimbra (this girl...she sounds like a good Katy Perry). With a creepy instrumental side, and emotional vocals up to par with emotional lyrics...you have genius here already. I highly recommend the music video. One might ask, how could this get even better than it already is?
Now I will reintroduce Dice Raw, Roots contributor, Grammy-winner and the fantastic force behind the previously featured "Time Flies." Mr. Raw takes "Somebody That I Used To Know" and records his raps over the previously sung verse...and it is freaking fantastic. There is something about the combination of Dice Raw rapping, Gotye's emotionally charged chorus, and Kimbra's sultry bridge that gets me every time. I got "Game Of Thrones Freestyle" (Dice Raw's rename) a few days ago, and have so far listened to it about twenty times. It's bee a long time since I've loved a song this much. It's just so different from everything that's out there, and I'm always hunting for the most obscure thing there is (blame the music hipster in me). It's early in the year, but this is so far my favourite song of 2012.
Also, why haven't you liked the Facebook page yet? What are you afraid of? https://www.facebook.com////#!/pages/Fromalt2zen/212358558857243
I will first introduce "Somebody That I Used To Know" by indie fave Gotye, featuring Kimbra (this girl...she sounds like a good Katy Perry). With a creepy instrumental side, and emotional vocals up to par with emotional lyrics...you have genius here already. I highly recommend the music video. One might ask, how could this get even better than it already is?
Now I will reintroduce Dice Raw, Roots contributor, Grammy-winner and the fantastic force behind the previously featured "Time Flies." Mr. Raw takes "Somebody That I Used To Know" and records his raps over the previously sung verse...and it is freaking fantastic. There is something about the combination of Dice Raw rapping, Gotye's emotionally charged chorus, and Kimbra's sultry bridge that gets me every time. I got "Game Of Thrones Freestyle" (Dice Raw's rename) a few days ago, and have so far listened to it about twenty times. It's bee a long time since I've loved a song this much. It's just so different from everything that's out there, and I'm always hunting for the most obscure thing there is (blame the music hipster in me). It's early in the year, but this is so far my favourite song of 2012.
Also, why haven't you liked the Facebook page yet? What are you afraid of? https://www.facebook.com////#!/pages/Fromalt2zen/212358558857243
Monday, 23 January 2012
The New Pornographers - Use It
Let's flash back to the year 2005, shall we? I'm still in disbelief that it was seven years ago...back then I was twelve years old, turning thirteen, and most of my new discoveries in the world of music came off of the radio. Detroit's new rock/alternative station, to be exact. Lucky for me, Vancouver's The New Pornographers had their song "Use It" on regular play, and even as the band slipped off of my radar (and everyone else's for the most part), this tune stayed in my head. Call it the seven year itch, but I had to have it, and I finally got it.
"Use It" is a fine blend of indie rock and punk, poured over ice in a highball glass. Oh, my metaphors. But it's a few things. Catchy, for the most part, with a high energy level and drums that I am in love with. And where can you go wrong with a band name like The New Pornographers? Use it tonight? Maybe listen to "Use It" tonight, and let me know what you think. I think it's a throwback to Harvey Danger, but you listen to "Flagpole Sitta" and be the judge.
Also, have you liked our facebook page yet? https://www.facebook.com////#!/pages/Fromalt2zen/212358558857243?sk=wall
"Use It" is a fine blend of indie rock and punk, poured over ice in a highball glass. Oh, my metaphors. But it's a few things. Catchy, for the most part, with a high energy level and drums that I am in love with. And where can you go wrong with a band name like The New Pornographers? Use it tonight? Maybe listen to "Use It" tonight, and let me know what you think. I think it's a throwback to Harvey Danger, but you listen to "Flagpole Sitta" and be the judge.
Also, have you liked our facebook page yet? https://www.facebook.com////#!/pages/Fromalt2zen/212358558857243?sk=wall
Sunday, 22 January 2012
Chevelle - Piñata
There are a few bands that I love unconditionally...and Chevelle is one of them. You know how I got their latest, Hats Off To The Bull, for Christmas? I've been addicted to it since. I previously featured "Revenge" from that album, kind of as the track that immediately jumped out to me on first listen. But with Chevelle, there is always something waiting in the wings, and in this case, it was the near-four-minute "Piñata."
I thought Hats Off To The Bull was more of a throwback to the older Chevelle albums, particularly This Type Of Thinking (Could Do Us In). "Piñata" is a throwback to the more recent releases they had, in this case being Vena Sera. The new album truly is a collection of everything I loved about its five older siblings. You've got the guitars they're known for, vocals rich with emotion, and lyrics that worm their way into your head. Oh, Pete Loeffler. You're an alternative god. Well, I'm going to give this song a few more listens now, so I'll leave you with my favourite part (which was harder to pick than you may think):
I thought Hats Off To The Bull was more of a throwback to the older Chevelle albums, particularly This Type Of Thinking (Could Do Us In). "Piñata" is a throwback to the more recent releases they had, in this case being Vena Sera. The new album truly is a collection of everything I loved about its five older siblings. You've got the guitars they're known for, vocals rich with emotion, and lyrics that worm their way into your head. Oh, Pete Loeffler. You're an alternative god. Well, I'm going to give this song a few more listens now, so I'll leave you with my favourite part (which was harder to pick than you may think):
Saturday, 21 January 2012
Eluveitie - A Rose For Epona
Eluveitie is coming out with new music! That's right, you heard me folk-metal-mongers, though I assume you should have heard of such news before. I'm not going to try to put the explanation of the wondrous "A Rose For Epona" into my own words, instead posting this link (https://www.facebook.com/note.php?note_id=10150448695755906) for you to click and read up on. If you don't feel like a history lesson, know that the lyrics, much like others of Eluveitie's work, connect to ancient stories, usually gaulish.
"A Rose For Epona" is a female-vocal-heavy track, but don't worry, there is some growling further into the song. Both sets of vocals are beautiful in their own right, and I always enjoy the contrast between such a thing when bands attempt it. Eluveitie doesn't attempt...they do it and do it well. This is folk metal done fantastically in every spectrum: vocals, instruments, lyrics...the whole shebang. I think I'm obsessed with the genre again. Don't let the genre scare you if you're anti-metal though. This is what beauty in music is.
We're also on facebook now! Like us? https://www.facebook.com///#!/pages/Fromalt2zen/212358558857243
"A Rose For Epona" is a female-vocal-heavy track, but don't worry, there is some growling further into the song. Both sets of vocals are beautiful in their own right, and I always enjoy the contrast between such a thing when bands attempt it. Eluveitie doesn't attempt...they do it and do it well. This is folk metal done fantastically in every spectrum: vocals, instruments, lyrics...the whole shebang. I think I'm obsessed with the genre again. Don't let the genre scare you if you're anti-metal though. This is what beauty in music is.
We're also on facebook now! Like us? https://www.facebook.com///#!/pages/Fromalt2zen/212358558857243
Friday, 20 January 2012
wanna like us?
fromalt2zen is now on Facebook!
https://www.facebook.com/pages/Fromalt2zen/212358558857243
Here you can find links to each blog post shortly after it is posted, as well as Youtbue videos of each song, if available. So what are you waiting for? Like the page already!
https://www.facebook.com/pages/Fromalt2zen/212358558857243
Here you can find links to each blog post shortly after it is posted, as well as Youtbue videos of each song, if available. So what are you waiting for? Like the page already!
Jesca Hoop - Feast Of The Heart
And now, for something completely different....you guys have heard of Metric, right? Well, how about we take lead singer Emily Haines, and throw her into a pit with the great PJ Harvey and have Tom Waits preside over the festivities (Jesca worked as the nanny for his kids, you know). What you get is not-so-indie rocker Jesca Hoop. I hear Metric when I listen to her songs, but it sounds more like a darker Metric. Case in point? "Feast of the Heart," which has that darker PJ Harvey-esque rock to it.
The guitars in "Feast of the Heart" are mysterious, almost as mysterious as Miss Hoop's vocals. This is how girls were meant to rock all along. Offering: there's a light switch, baby, you turn it on, don't you ever leave me here in the dark in a verse that twangs with electro (it's possible...trust me), there's an atmospheric element to the song that you can't ignore. You don't want to ignore this. I'd be interested in hearing a remix of "Feast of the Heart" if it exists...which it should...it has the potential for a good dance number to come out of it. Versatility is the spice of life, after all. I am a bit envious of Jesca, though, I'll admit. Is Tom Waits looking for a new nanny?
The guitars in "Feast of the Heart" are mysterious, almost as mysterious as Miss Hoop's vocals. This is how girls were meant to rock all along. Offering: there's a light switch, baby, you turn it on, don't you ever leave me here in the dark in a verse that twangs with electro (it's possible...trust me), there's an atmospheric element to the song that you can't ignore. You don't want to ignore this. I'd be interested in hearing a remix of "Feast of the Heart" if it exists...which it should...it has the potential for a good dance number to come out of it. Versatility is the spice of life, after all. I am a bit envious of Jesca, though, I'll admit. Is Tom Waits looking for a new nanny?
Thursday, 19 January 2012
Edward Sharpe & The Magnetic Zeros - Home + RAC Mix
This is only the second time I'm every featuring a song and its remix, but I only do it because I care, and because these are both fantastic songs in their own right.
This second occurrence is thanks to the always wonderful indie folk collective that is Edward Shapre & The Magnetic Zeros and their wondrous "Home." The original is the finest indie folk you will ever hear; you might think it was recorded in the 70s at first listen, but I assure you that this was made quite later. Such a throwback to the music of yesteryear might be one of the reasons that I love this song so much, though it could also be the lyrics, the conversational tone between vocalists, and the instruments. Horns? I'm always game for horns.
The Remix Artist Collective (RAC) has a penchant for amazing remixes of already great songs, but such a task is outdone in their mix of "Home." It's less 70's folk here, though there's still a hint here and there. Whistling is an instrument now. It just becomes a different kind of folky indie than it was in the original, and I can appreciate that. The song is still about love, and knowing where home really is, wherever I'm with you.
Alabama, Arkansas
I do love my Ma and Pa
Not the way that I do love you
Holy moley, me oh my
You're the apple of my eye
Girl, I've never love no one like you
This second occurrence is thanks to the always wonderful indie folk collective that is Edward Shapre & The Magnetic Zeros and their wondrous "Home." The original is the finest indie folk you will ever hear; you might think it was recorded in the 70s at first listen, but I assure you that this was made quite later. Such a throwback to the music of yesteryear might be one of the reasons that I love this song so much, though it could also be the lyrics, the conversational tone between vocalists, and the instruments. Horns? I'm always game for horns.
The Remix Artist Collective (RAC) has a penchant for amazing remixes of already great songs, but such a task is outdone in their mix of "Home." It's less 70's folk here, though there's still a hint here and there. Whistling is an instrument now. It just becomes a different kind of folky indie than it was in the original, and I can appreciate that. The song is still about love, and knowing where home really is, wherever I'm with you.
Alabama, Arkansas
I do love my Ma and Pa
Not the way that I do love you
Holy moley, me oh my
You're the apple of my eye
Girl, I've never love no one like you
Wednesday, 18 January 2012
Edenbridge - Higher
Let's get back into the swing of things, shall we? I've been incredibly busy these past few days, and had fully intended to blog, but stuff happens. Why not feature something wondrous to make up for it, and why not make it another edition of female-fronted-metal-bands-that-rock. This time it comes courtesy of Austria's Edenbridge, fronted by the fantastic Sabine Edelsbacher. Now, this chick has a set of pipes, and you'll see just how wondrous it is in "Higher."
"Higher" reminds me of the older Nightwish a bit, when Tarja was still hanging around. Sabine isn't as operatic, but she's still got that flavor in her singing. She, and the remainder of the band, know a thing or two about good symphonic death metal. You've got a hint of the piano, lush guitars, and nothing down the route of too-thrashy-for-my-taste. Sabine can come over to my house and sing her heart out anytime, though I still have a girl crush on Annette. Just listen to me here. "Higher" is catchy symphonic death metal that is in the vein of Nightwish, but still follows its own tune. I can't ask for more.
"Higher" reminds me of the older Nightwish a bit, when Tarja was still hanging around. Sabine isn't as operatic, but she's still got that flavor in her singing. She, and the remainder of the band, know a thing or two about good symphonic death metal. You've got a hint of the piano, lush guitars, and nothing down the route of too-thrashy-for-my-taste. Sabine can come over to my house and sing her heart out anytime, though I still have a girl crush on Annette. Just listen to me here. "Higher" is catchy symphonic death metal that is in the vein of Nightwish, but still follows its own tune. I can't ask for more.
Sunday, 15 January 2012
Jhameel - White Lie
San Fran strikes again, this time with indie pop artist Jhameel. This guy...this guy! He's a guy who knows what he's doing, and it's a shame that he remains out of the spotlight while other, much less talented artists take over. It might be the hipster in me, but I enjoy finding hidden gems like Jhameel's "White Lie" that few others are aware of. This is my treasure.
"White Lie" is a beautiful indie pop number on the most elaborate break-up of all. Perhaps every lyric is a tiny white lie? Over the pulse of several instruments, Jhameel explains I just wanna try taking care of my life, I've been working day and night to keep your heart satisfied. I love you so much, and even though it seems rough, I just need to take some time to go figure out my life. I think if a guy broke up with me through this song, I'd be popping my shoulders to the beat before I wind up for a left uppercut. But that's just me. "White Lie" is sincere in the sense that these white lies soften to blow, but you will come to the sad realization that this love story is coming to an unfortunate end. And it is beautiful.
"White Lie" is a beautiful indie pop number on the most elaborate break-up of all. Perhaps every lyric is a tiny white lie? Over the pulse of several instruments, Jhameel explains I just wanna try taking care of my life, I've been working day and night to keep your heart satisfied. I love you so much, and even though it seems rough, I just need to take some time to go figure out my life. I think if a guy broke up with me through this song, I'd be popping my shoulders to the beat before I wind up for a left uppercut. But that's just me. "White Lie" is sincere in the sense that these white lies soften to blow, but you will come to the sad realization that this love story is coming to an unfortunate end. And it is beautiful.
Friday, 13 January 2012
Gobble Gobble - Boring Horror
Before mass confusion erupts, Edmonton's electro-something Gobble Gobble has changed its name to Born Gold, but I will refer to them by their original name, as I have nothing they've recorded under the new moniker.
This isn't the electronic music you might know. "Boring Horror" is caught between a plethora of genres; I an hear some pop, a little alternative, the obvious electronic elements, and other things I can't quite put my finger on. Nonetheless, it is effective, and wondrous. It kind of reminds me of the background music in a cartoony racing video game...a point that usually means the song is for me. It's kind of Mario Kart-ish in nature. And the vocals? A bit computerized and choppy, but I like it. They fit in with the accompanying music, and I can't get over the six words: that's not what your body said. Gahhh. I love it.
Despite the name change, Gobble Gobble (or Born Gold) were onto something with "Boring Horror." There are so many ways that electro can be done...why not go completely out of the box? Mission accomplished.
This isn't the electronic music you might know. "Boring Horror" is caught between a plethora of genres; I an hear some pop, a little alternative, the obvious electronic elements, and other things I can't quite put my finger on. Nonetheless, it is effective, and wondrous. It kind of reminds me of the background music in a cartoony racing video game...a point that usually means the song is for me. It's kind of Mario Kart-ish in nature. And the vocals? A bit computerized and choppy, but I like it. They fit in with the accompanying music, and I can't get over the six words: that's not what your body said. Gahhh. I love it.
Despite the name change, Gobble Gobble (or Born Gold) were onto something with "Boring Horror." There are so many ways that electro can be done...why not go completely out of the box? Mission accomplished.
Thursday, 12 January 2012
Lana Del Rey - Born To Die
Oh, itunes. I know how you like to provide a plethora of crappy free songs every Tuesday, with only a few exceptions, but you've redeemed yourself this week. How? With the absolutely wonderful "Born To Die" by the soulful Lana Del Rey. I've been aware of Miss Del Rey for a bit, though the only works I'd heard by her had been remixed, and to a degree which I wasn't ready to see what she sounded like on her own. Once I got "Born To Die," I realized that I was missing out. A lot.
"Born To Die" is a slowed down number with a modern orchestral sound to it. It's some kind of askew love story put to song, and I love it even more with Lana's smokey vocals. There is a sadness to it, but you can still appreciate "Born To Die" nonetheless. I am still in disbelief as to why I never gave Lana Del Rey a better listen to. Gah. What's the point I'm making today? The one I make every day. Listen to this if you haven't already. Soak in the instruments, let the vocals worm their way into your ear canal, sit back, and see what happens.
Choose your last words
This is the last time
Becuse you and I
We were born to die
"Born To Die" is a slowed down number with a modern orchestral sound to it. It's some kind of askew love story put to song, and I love it even more with Lana's smokey vocals. There is a sadness to it, but you can still appreciate "Born To Die" nonetheless. I am still in disbelief as to why I never gave Lana Del Rey a better listen to. Gah. What's the point I'm making today? The one I make every day. Listen to this if you haven't already. Soak in the instruments, let the vocals worm their way into your ear canal, sit back, and see what happens.
Choose your last words
This is the last time
Becuse you and I
We were born to die
Wednesday, 11 January 2012
Slipknot - Circle
If we are following the evolution of my love of metal (which we aren't, this is just a coincidence), then after my affair with Alexisonfire came a tryst with Slipknot. Oh, that was a good year. Now, people can say what they want about the band. Like, maybe they're not really metal, or maybe Corey Taylor isn't as heavy as he thinks he is. First of all, I've wanted to marry Mr. Taylor since my first listen to Vol. 3, which today's selection comes from. As for the whole "metal or not" issue, I could really care less. Just listen to the music.
Now, "Circle" is a little different from what you might think of when Slipknot comes to mind. Acoustic? Unheard of, but brilliant. It's slowed down, stripped of everything you thought was, or wasn't metal, and this is what you get. Corey Taylor, the acoustic guitar, a few pangs from the remainder of the string section, and what might be something profound. After all, I like when bands are willing to deviate from what they're used to doing. Taking risks was what Slipknot's third album was all about. I leave you with the notion to take a risk by listening to "Circle," because it might grow on you, and the second verse of the song; my personal favourite. And, as a former die hard fan, rest in peace Paul Dedrick Gray.
I know the way, but I falter
Can't be afraid of my patience
There's a sacred place Razel keeps safe
Follow me
I've seen so much, I'm blind again
Follow me
I feel so bad, I'm alive again
Follow me
Now, "Circle" is a little different from what you might think of when Slipknot comes to mind. Acoustic? Unheard of, but brilliant. It's slowed down, stripped of everything you thought was, or wasn't metal, and this is what you get. Corey Taylor, the acoustic guitar, a few pangs from the remainder of the string section, and what might be something profound. After all, I like when bands are willing to deviate from what they're used to doing. Taking risks was what Slipknot's third album was all about. I leave you with the notion to take a risk by listening to "Circle," because it might grow on you, and the second verse of the song; my personal favourite. And, as a former die hard fan, rest in peace Paul Dedrick Gray.
I know the way, but I falter
Can't be afraid of my patience
There's a sacred place Razel keeps safe
Follow me
I've seen so much, I'm blind again
Follow me
I feel so bad, I'm alive again
Follow me
Tuesday, 10 January 2012
Alexisonfire - .44 Caliber Love Letter
2011 was the year that I completed the current Alexisonfire discography with their self-titled debut (for only $5 at HMV...pretty impressive, I'd say). I've said before in a previous post that they used to be my absolute favourite band. The only band ever. Alexisonfire is responsible for me becoming a proud metalhead. Then a few things happened. I grew out of this "metal" and went heavier. The most recent Old Crows/Young Cardinals had a few gems, but was nothing too stellar. After buying the self-titled debut, I was reminded why Watch Out! was the soundtrack to my '06, and why Crisis was the soundtrack to my '07. Brilliance used to be the name of their game.
This is a .44 caliber blog post straight from my heart.
Beginning with about two minutes of lush, yawning guitars, ".44 Caliber" already shows that it's not just another post-hardcore song of the mid-2000's. This is the way Alexisonfire should have done music all along. George screams like the male equivalent of a banshee with no care in the word, and Dallas compliments him with vocals some artists should kill for. They both wail with wondrous emotion, and you can't help but lean back in your chair and mumble "...wow." Had this been the first of their songs that I heard, instead of "No Transitory" way back in the winter of 2005, I would have still fallen in love with screamo. Maybe even more than I actually did. Well, this is enough of me gushing about the music of yesteryear. Maybe you should listen and agree with me.
This is a .44 caliber blog post straight from my heart.
Beginning with about two minutes of lush, yawning guitars, ".44 Caliber" already shows that it's not just another post-hardcore song of the mid-2000's. This is the way Alexisonfire should have done music all along. George screams like the male equivalent of a banshee with no care in the word, and Dallas compliments him with vocals some artists should kill for. They both wail with wondrous emotion, and you can't help but lean back in your chair and mumble "...wow." Had this been the first of their songs that I heard, instead of "No Transitory" way back in the winter of 2005, I would have still fallen in love with screamo. Maybe even more than I actually did. Well, this is enough of me gushing about the music of yesteryear. Maybe you should listen and agree with me.
Sunday, 8 January 2012
Memphis May Fire - The Sinner
Come! Take my hand and follow me on a journey back to the genre that is post-hardcore! I still have a penchant for the music. It's what I listened to all through high school, and even though my taste in metal has been evolving recently, I do still enjoy looking back on the genre that has contributed much to my interest in music. During a casual perusing through youtube, I came across Texas natives Memphis May Fire. It was love at first listen.
Matty Mullins growls through "The Sinner," from 2011's The Hollow, like this is how he speaks every day. It's beautiful growling, if you ask me. And the chorus...is that a few echoes of Rody-Walker-esque vocals I hear? Wonderful. "The Sinner" is what you'd get with Matt Tobin with verse duties and Mr. Walker stepping in for that awesome chorus. My favourite part of the song has to be the recurring screams during the first verse: what will it take? Now, what will it take for you to listen to some Memphis May Fire? Don't be put off by certain bands who think they're post-hardcore. Take the plunge with "The Sinner." What's the worst that could happen?
Matty Mullins growls through "The Sinner," from 2011's The Hollow, like this is how he speaks every day. It's beautiful growling, if you ask me. And the chorus...is that a few echoes of Rody-Walker-esque vocals I hear? Wonderful. "The Sinner" is what you'd get with Matt Tobin with verse duties and Mr. Walker stepping in for that awesome chorus. My favourite part of the song has to be the recurring screams during the first verse: what will it take? Now, what will it take for you to listen to some Memphis May Fire? Don't be put off by certain bands who think they're post-hardcore. Take the plunge with "The Sinner." What's the worst that could happen?
Saturday, 7 January 2012
Kristeenyoung - I'll Get You Back
St. Louis's Kristeenyoung knows a thing or two about executing a concept perfectly. Her album, V The Volcanic, explores supporting characters from movies in each song. The epic "I'll Get You Back" is about the poor-natured apple trees from The Wizard Of Oz that have impressive throwing arms. Now that you know, you'll understand. The track is piano-heavy glam rock, if you may, and I wouldn't have it any other way.
"I'll Get You Back" is also a spelling lesson within a song, beginning with cup your hand on my a-p-p-l-e, your best friend must be b-o-o-z-e. Who knew the apple tree could have such a profound point of view, knowing that revenge is a dish best served in the form of hurtling an apple. Kristeen's voice is sublime in telling this story, almost angelic in nature if you think angels should be rocking out on the keyboard. Is this danceable, even? Well, anything can be danced to, but the claps of percussion promote movement here. Eventually you won't be able to stop swaying as you spell out all of the words.
"I'll Get You Back" is also a spelling lesson within a song, beginning with cup your hand on my a-p-p-l-e, your best friend must be b-o-o-z-e. Who knew the apple tree could have such a profound point of view, knowing that revenge is a dish best served in the form of hurtling an apple. Kristeen's voice is sublime in telling this story, almost angelic in nature if you think angels should be rocking out on the keyboard. Is this danceable, even? Well, anything can be danced to, but the claps of percussion promote movement here. Eventually you won't be able to stop swaying as you spell out all of the words.
Friday, 6 January 2012
Sweet Thing - Lazy Susan
Canada's own Sweet Thing brought the wondrous "Lazy Susan" to me almost a year ago (February 11, 2011, to be exact). Though I haven't heard much about them since, I'm glad to have at least one piece of their repertoire via the itunes store. AND...to those Canadians who used to watch their afternoon children's programming known as "The X," the bassist is none other than Morgan Waters. Come on.
What shall we call this today? Modern-throwback-pop-rock.
I use the term "pop-rock" loosely, because once you listen to this (and you will, if you haven't already), you will have trouble using the word "rock" at all. Rock doesn't rely on the keyboard this much, or seems as cool and subdued as this is. Ahh yes, subdued. My new favourite word to associate with music. Well, anyways, you all know what a lazy susan is. That rotating wooden thing you'd put in the middle of your dining room table to everyone could reach all of the veggies and dip. Sweet Thing turns the lazy susan into the real "Lazy Susan," a woman unable to "turn herself around." And they do it beautifully!
Oh Susie, don't loose your cool, but I'm leaving you on your own.
Don't tell me you can't be saved, you can find a way to hold on.
Yeah you've got the world to see, you've got everything that you need.
But you ain't comatose, so why can't you move?
I'm all out of sympathy, when you come round, you'll see that I'm gone.
Also watch the music video. It's not often that I recommend videos, but I do in this case. WATCH NOW.
What shall we call this today? Modern-throwback-pop-rock.
I use the term "pop-rock" loosely, because once you listen to this (and you will, if you haven't already), you will have trouble using the word "rock" at all. Rock doesn't rely on the keyboard this much, or seems as cool and subdued as this is. Ahh yes, subdued. My new favourite word to associate with music. Well, anyways, you all know what a lazy susan is. That rotating wooden thing you'd put in the middle of your dining room table to everyone could reach all of the veggies and dip. Sweet Thing turns the lazy susan into the real "Lazy Susan," a woman unable to "turn herself around." And they do it beautifully!
Oh Susie, don't loose your cool, but I'm leaving you on your own.
Don't tell me you can't be saved, you can find a way to hold on.
Yeah you've got the world to see, you've got everything that you need.
But you ain't comatose, so why can't you move?
I'm all out of sympathy, when you come round, you'll see that I'm gone.
Also watch the music video. It's not often that I recommend videos, but I do in this case. WATCH NOW.
Thursday, 5 January 2012
The Limousines - Call Me Al (Paul Simon Cover)
San Fran's The Limousines know just how I like my indie...with an electro flavour. And what is this I see? A Paul Simon cover done in electro-indie style? OMG. Yes, that was my exact reaction when I came across the duo's interpretation of "You Can Call Me Al." Who knew that an 80's rock song that is already quite impressive could become....this?
Aside: watch the original video of Paul Simon's version. I'm in love.
Now, back to The Limousines! Here the verses don't have that peppy 80's feel, instead echoing with the vocals and getting a hint of an atmospheric feel. But don't fret! The synths are back for the chorus as the tempo picks up for the duration of "Call Me Al." The Limousines also kept the whistling that appears nearly two minutes in. Now, this is how you cover a Paul Simon song, or any song for that matter. Throw in some changes while still retaining the beauty of the original. And what do you get? Danceable electro-indie. You're welcome.
Aside: watch the original video of Paul Simon's version. I'm in love.
Now, back to The Limousines! Here the verses don't have that peppy 80's feel, instead echoing with the vocals and getting a hint of an atmospheric feel. But don't fret! The synths are back for the chorus as the tempo picks up for the duration of "Call Me Al." The Limousines also kept the whistling that appears nearly two minutes in. Now, this is how you cover a Paul Simon song, or any song for that matter. Throw in some changes while still retaining the beauty of the original. And what do you get? Danceable electro-indie. You're welcome.
Wednesday, 4 January 2012
Of Monsters And Men - Little Talks
It's been a while (I think) since itunes has featured a really good free English-language song choice. The French options have been much better. But not last week! I was pleasantly surprised upon my first listen to "Little Talks" by Iceland's Of Monsters and Men. This is what it sounds like when a song is alive. You'll see why.
Let's combine all of the ingredients into a large mixing bowl. Male vocals and complimenting female vocals, uplifting riffs, horns (thank god!), and a generous amount of lyrical genius. That gives you the energetic "Little Talks," a conversation between two discussing worries and assurances. I wouldn't call this one of those peppy jazzy numbers that will desensitize you to all horns and signs of energy. No, this is done tastefully. Quite tastefully, sir. And it comes across as utterly beautiful. Instant classic alert. Miss this at your own risk as I leave you with the first verse:
I don't like walking around this old and empty house
So hold my hand, I'll walk with you my dear
The stairs creak as I sleep, it's keeping me awake
It's the house telling you to close your eyes
Let's combine all of the ingredients into a large mixing bowl. Male vocals and complimenting female vocals, uplifting riffs, horns (thank god!), and a generous amount of lyrical genius. That gives you the energetic "Little Talks," a conversation between two discussing worries and assurances. I wouldn't call this one of those peppy jazzy numbers that will desensitize you to all horns and signs of energy. No, this is done tastefully. Quite tastefully, sir. And it comes across as utterly beautiful. Instant classic alert. Miss this at your own risk as I leave you with the first verse:
I don't like walking around this old and empty house
So hold my hand, I'll walk with you my dear
The stairs creak as I sleep, it's keeping me awake
It's the house telling you to close your eyes
Tuesday, 3 January 2012
Yuck - Suicide Policeman
You know the soundtrack to the movie Juno, right? Well, this song isn't on it.
London, England indie quartet Yuck (brilliant name, I think) brings us "Suicide Policeman," which I think could easily fit in with the folky indie numbers on that soundtrack. The acoustic guitar is as delicate as ever on this number, and an amazingly beautiful companion to lead singer Daniel Blumberg's soft vocals. Then what is that other sound? Yes, that sounds like a few plucks on an electric guitar. I'm all hit-or-miss about mixing acoustic and electric, but those pangs give "Suicide Policeman" an edge; it's not just some other indie song. This is subdued beauty, and don't you forget it.
If you conjure a fear, make it loud so I can hear the tambourine
I just want to let you know I could be your suicide policeman
So don't you go until my eyes have left your face
London, England indie quartet Yuck (brilliant name, I think) brings us "Suicide Policeman," which I think could easily fit in with the folky indie numbers on that soundtrack. The acoustic guitar is as delicate as ever on this number, and an amazingly beautiful companion to lead singer Daniel Blumberg's soft vocals. Then what is that other sound? Yes, that sounds like a few plucks on an electric guitar. I'm all hit-or-miss about mixing acoustic and electric, but those pangs give "Suicide Policeman" an edge; it's not just some other indie song. This is subdued beauty, and don't you forget it.
If you conjure a fear, make it loud so I can hear the tambourine
I just want to let you know I could be your suicide policeman
So don't you go until my eyes have left your face
Monday, 2 January 2012
Tetrafusion - The Deserter
I have a new favourite new band. Sorry, Nightwish! Louisiana's Tetrafusion is slated for the release of their third album in 2012, but as of now, I'm enjoying 2010's Altered State. Think of them as a cooler version of Tool. While I do appreciate a good eight minutes of "Vicarious" or "The Pot," the thing about Tool is that I can only enjoy a few of their songs, and after a while everything sounds the same. You will hear Tool when listening to some Tetrafusion songs, but there's something different here that sets them apart from their predecessors. Maybe it's the fact that a song over 5 minutes never drags out (sorry, Tool, but it happens!). Or maybe it's something wondrous that I can't quite put my finger on.
"The Deserter" is nearly seven minutes long, but is no diamond in the rough in Altered State. Beginning the smoke is thick, I cannot see, there is no one left but me and lamenting I am both the lion and the lamb, you have a metal-y rock song that doesn't take itself too seriously. "The Deserter" begins subdued, working to a climax that any fan can enjoy. And the guitars? I'm drooling again. A good guitar always makes me drool, and the chords and notes struck here get me at every listen. It might remind you of Tool, but I promise it'll be like nothing you've heard before (unless you're already a Tetrafusion fan, then you get a fist bump). After all, isn't that my job here?
"The Deserter" is nearly seven minutes long, but is no diamond in the rough in Altered State. Beginning the smoke is thick, I cannot see, there is no one left but me and lamenting I am both the lion and the lamb, you have a metal-y rock song that doesn't take itself too seriously. "The Deserter" begins subdued, working to a climax that any fan can enjoy. And the guitars? I'm drooling again. A good guitar always makes me drool, and the chords and notes struck here get me at every listen. It might remind you of Tool, but I promise it'll be like nothing you've heard before (unless you're already a Tetrafusion fan, then you get a fist bump). After all, isn't that my job here?
Subscribe to:
Posts (Atom)